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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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THE DIVERSE REALM OF ART HOUSE CINEMA

Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...

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YOU LOVE CINEMA SO RANJAN DAS RECOMMENDS

From Highway Dragnet to a Michael Hanake film, an American Indie, Kasargold and Night Moves, check out what Ranjan Das recommends for you to see this weeke...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

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